The 1980s also encouraged the creation
of the Sho-Gekijo, or literally, little
theatre. This usually meant amateur theatrical troupes making plays
designed to be seen by anyone and everyone — not necessarily as meaningful
in nature as they were simply entertaining. Some of the more philosophical
playwrights and directors of that time which are still active today are Noda Hideki,
Shōji Kōkami and Keralino Sandorovich (a pen
name for a Japanese playwright).
Popular sho-gekijo theatrical troupes include Nylon 100, Gekidan
Shinkansen, Tokyo Sunshine Boys, and Halaholo Shangrila. Recently,
new generation of Sho-Gekijo artists who are labeled as the "Generation of
the Lost Decade" or the "Generation of 2000s" are emerging.
Principal artists among this generation are: Toshiki Okada, Shiro Maeda, Kuro
Tanino, Daisuke Miura, Tomohiro Maekawa and so on. In 2011, a fully bilingual
book introducing this new generation of artists called Tokyo Theatre Today: Conversations with Eight Emerging Theatre Artists
by journalist Kyoko Iwaki has been published.
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